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Sexy Trippy All Moods. This sprawling megalith of noise and tension casts the trio in traditional rock band roles, recorded completely live in Tokyo with O’Rourke on iimikuzushi, Ambarchi as the drummer, and Haino limiting himself to highly effected guitar and vocals. Stream or buy on: Imikuzushi reaches its peak on “Invited in Drinking Hanging Out In Love.
The tendency towards driving free-rock which surfaced on moments of the trio’s last release is cemented here, with O’Rourke’s fuzzed-out, non-linear bass riffing moving the music into almost garage-rock areas, combining with Ambarchi’s drums to form a bedrock of hypnotic, metronomic pounding which transforms itself effortlessly into passages of flowing free-time.
Like all of Haino’s best work, the trio transcends any ‘rock’ genre exercise to enter a non-idiomatic zone of ritual intensity, creating a music formed purely out of instrumental and group-mind possibility. Your browser does not support the audio element.
KEIJI HAINO/JIM O’ROURKE/OREN AMBARCHI : Imikuzushi – 2LP – BLACK TRUFFLE – Forced Exposure
The track’s almost 23 minutes see the band devolving from said groove into DNA -like no wave vocalizations and reaching a metallic free-flight climax before cooling back down with O’Rourke ‘s distorted bass figures trading punches with Haino ‘s troubled screams until they both fall down in exhausted piles.
Ambarchi is better known for his glowing ambient excursions than work as a solid drummer, but his playing here is restrained and pummeling by turns, always locked in deeply with his bandmates.
Haino is doing what he does best on all the tracks, unraveling doom-laden guitar tones and strangling out ghostly vocals in short bursts.
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Imikuzushi – Oren Ambarchi, Keiji Haino, Jim O’Rourke | Songs, Reviews, Credits | AllMusic
Presented as four unedited excerpts salvaged imikuzushj an epic show that lasted well over three hours, the sometimes raw nature of the recording only adds to its directness and harshly emotive quality. Incredible communication and playing are the strong points of the record, even if the pieces themselves might be too lengthy and punishing to digest in one sitting. Release Date February 28, Introspection Late Night Partying. For this performance, Haino limits himself to electric guitar and vocals, forming complex networks of slashing rhythm work, noise squall and chromatic shredding, moving at times to near-silent passages of howled vocals and isolated, hanging guitar strums.